Artsy
08-25-2008, 11:36 AM
Artsy;...I had a couple face painting questions.
1. I've never tried this, but I think I might be good at it (I have a creative side).
2. How do you suggest I get started (books? Videos?); what do you suggest I buy to start out (supply-wise)
3.and one last question: do you think a board with 83 designs takes the kids forever to make a choice? I know when I was at Disneyworld and my friend and I were going to get our faces painted, we never could make up our minds which design and ended up getting nothing. LOL
------------------------
Okee Dokee Pinky! and all interested others!
WARNING: This is a long post, so you might want to prop up your feet and slurp your favorite frosty beverage...
Lets' see...
1. Practice Practice Practice ON somebody is my best advice.
Drawing and painting on a flat surface such as paper is not the same as the curves and twists of a person's face. However, you should have basic drawing skills and a steady hand and GOOD BRUSHES! My brushes are the finest sable Kolinsky brushes around. They cost a lot but they are sooooo worth it. I take good care of the brushes and they service me well.
2. I suggest you get started by firsthand observing others facepainting to see what they do. I originally got into facepainting when I was drawing caricatures at Sesame Place and during my break, I'd walk over to the facepainting stand and watch them. I thought, "Hey, I can do that! and that looks lke more fun than what I am doing."
Then one day one of my students' parent (I used to own an art school) asked me if I'd facepaint at her daughter's birthday party. I figured, yep! I can do that, so I went out and bought the same facepaints that I saw was being used by the amusement people. (Kryolan Aquacolor).
There are some great youtube videos from Sillyfarm that might help you see the procedures too.
You can go to your local library and look at the zillion facepainting books out there. I wouldnt buy them though. Copy a few nice designs out of the book if you want as a reference, but the beauty about facepainting is that YOU can make up your OWN designs as you get better at them.
3.
I would NOT advise you to have many designs in the beginning. Start out with a few--even if it's five designs that you do well. And add a new one as you feel comfortable with the others. Continue to build on your portfolio. Don't add any new ones on until you can paint the design in your sleep. Dream about painting the design. BE the design. :)
Well, you need to start somewhere and take it slow and do a great job--don't slop the paint on and make things uneven and lopsided. I strive for excellent brushwork and symmetry. I always set the bar higher for myself and as a performer, this is nothing new, right? It's the norm.
I don't do anything but facepaint and do pocket magic about color at BD parties. No balloons, nothing. That's all I do, so I do it well and stick to what I'm comfortable with. A clown who does other stuff as their repertoire would not need so many designs on their menu, so maybe this advice doesn't apply to everyone's needs.
I have several boards. I have a Quick Crowd board that only have 20 simple designs on it. I have one that has 30 designs and then my 83 design Biggie board (I use this for birthday parties but I used it for this one event to get some party business out of it). If I combine the Biggie board with the Quickie Board, I have over 100 designs to offer at one big gig.
Keep in mind that I've been an artist since I was born. I've been facepainting professionally for over 20 years and I have found which designs work best for me and which ones are the crowd favorites. I have a marketing and business sense that helps keep me grounded too. I've taken CareerTrak Seminars for customer service, etc over many years and know the business side of business having had successful businesses in the past. (Performing Arts Dance school and an Art School & Gallery)
I have many designs because it prevents me personally from having to deal with special requests, like, "Can you do a donkey dancing on the ceiling with a disco ball and a team of football players that are dressed in drag?" Ummm. no..but I make a mean party balloon! ha ha. I HATE hearing "Can you do this? Can you do that?" ARGHHHHH!!!! So I found a way to avoid this aggravation. It may not bother you, but it annoys me when I have a hundred people in line and someone is asking me to paint the sky the moon and the stars with this and that and on and on....grrr...
No. I really do not like being put on the spot to do a special request. I like to take my time to figure out the brushstrokes and the color choices, etc. before I add it to my "performance."
I NEVER do logos or copyrighted designs. I don't do ELMO or BIG BIRD or team sports. I respect the copyright and do not infringe on their property, so I make sure I have plenty of diversions from the common Elmo requests.
Of course, it isn't NECESSARY to have 83 designs available, but this definitely helps ME stand out in a crowd ( I live in a facepainter-infested area outside Philadelphia) and as a result, I have quite an impressive following of corporate gigs that book me two years in advance and a few are "standing gigs" meaning they get me at their functions every year on a certain day. It works for me.
Compare this to a balloon twister who offers five animals vs. 50 animals. Who would you hire for your next big corporate event?
Which entertainer can charge a high fee for their services?
By the way, my record high average was painting 52 designs per hour.
And no, these are not little doodads (oooo--I like that name! maybe a new clown name for me?) I do complex work quickly and my brushes flit and flutter in the air like the baton of a drum majorette.
When I facepaint, it is a performance. I don't just sit there and paint. I ham it up. Do a little jig, dance and prance around and really play up the kid's design choice. A Tiger? GROWL!!!!!! ROAR!!!!
When the design is finished, I look at them and say, "Hey... where did Michael go? I can't find him, all I can see is a puppy dog!.... Oh! There's Michael-- he IS the puppy! ha ha ha" (Get it?)
I honestly never had anyone go away empty-faced because there were too many to choose from, so I can't tell ya for sure if it's a deterrent, but my hubby helps me by "consulting" with the clients and offering suggestions based on his insight--(high forehead? great for a huge Morphos Butterfly. A young kid that is hyper fidgety? "Artsy can make a BIGGER lizard if you get it on your arm instead of your cheek." See what I mean?
Prices? Start out low. Get the practice first. It's worth the exposure. Offer to facepaint at friend's parties JUST FOR FUN--don't charge. Believe me. You will get gigs anyway and that is the beauty of giving it away freely in the beginning. You will be rewarded.
Whew! That is enough writing for now. Maybe I should teach at an upcoming clown seminar. There's so much more I could share... Hmmm.....
HAVE A COLORFUL DAY!
Artsy
1. I've never tried this, but I think I might be good at it (I have a creative side).
2. How do you suggest I get started (books? Videos?); what do you suggest I buy to start out (supply-wise)
3.and one last question: do you think a board with 83 designs takes the kids forever to make a choice? I know when I was at Disneyworld and my friend and I were going to get our faces painted, we never could make up our minds which design and ended up getting nothing. LOL
------------------------
Okee Dokee Pinky! and all interested others!
WARNING: This is a long post, so you might want to prop up your feet and slurp your favorite frosty beverage...
Lets' see...
1. Practice Practice Practice ON somebody is my best advice.
Drawing and painting on a flat surface such as paper is not the same as the curves and twists of a person's face. However, you should have basic drawing skills and a steady hand and GOOD BRUSHES! My brushes are the finest sable Kolinsky brushes around. They cost a lot but they are sooooo worth it. I take good care of the brushes and they service me well.
2. I suggest you get started by firsthand observing others facepainting to see what they do. I originally got into facepainting when I was drawing caricatures at Sesame Place and during my break, I'd walk over to the facepainting stand and watch them. I thought, "Hey, I can do that! and that looks lke more fun than what I am doing."
Then one day one of my students' parent (I used to own an art school) asked me if I'd facepaint at her daughter's birthday party. I figured, yep! I can do that, so I went out and bought the same facepaints that I saw was being used by the amusement people. (Kryolan Aquacolor).
There are some great youtube videos from Sillyfarm that might help you see the procedures too.
You can go to your local library and look at the zillion facepainting books out there. I wouldnt buy them though. Copy a few nice designs out of the book if you want as a reference, but the beauty about facepainting is that YOU can make up your OWN designs as you get better at them.
3.
I would NOT advise you to have many designs in the beginning. Start out with a few--even if it's five designs that you do well. And add a new one as you feel comfortable with the others. Continue to build on your portfolio. Don't add any new ones on until you can paint the design in your sleep. Dream about painting the design. BE the design. :)
Well, you need to start somewhere and take it slow and do a great job--don't slop the paint on and make things uneven and lopsided. I strive for excellent brushwork and symmetry. I always set the bar higher for myself and as a performer, this is nothing new, right? It's the norm.
I don't do anything but facepaint and do pocket magic about color at BD parties. No balloons, nothing. That's all I do, so I do it well and stick to what I'm comfortable with. A clown who does other stuff as their repertoire would not need so many designs on their menu, so maybe this advice doesn't apply to everyone's needs.
I have several boards. I have a Quick Crowd board that only have 20 simple designs on it. I have one that has 30 designs and then my 83 design Biggie board (I use this for birthday parties but I used it for this one event to get some party business out of it). If I combine the Biggie board with the Quickie Board, I have over 100 designs to offer at one big gig.
Keep in mind that I've been an artist since I was born. I've been facepainting professionally for over 20 years and I have found which designs work best for me and which ones are the crowd favorites. I have a marketing and business sense that helps keep me grounded too. I've taken CareerTrak Seminars for customer service, etc over many years and know the business side of business having had successful businesses in the past. (Performing Arts Dance school and an Art School & Gallery)
I have many designs because it prevents me personally from having to deal with special requests, like, "Can you do a donkey dancing on the ceiling with a disco ball and a team of football players that are dressed in drag?" Ummm. no..but I make a mean party balloon! ha ha. I HATE hearing "Can you do this? Can you do that?" ARGHHHHH!!!! So I found a way to avoid this aggravation. It may not bother you, but it annoys me when I have a hundred people in line and someone is asking me to paint the sky the moon and the stars with this and that and on and on....grrr...
No. I really do not like being put on the spot to do a special request. I like to take my time to figure out the brushstrokes and the color choices, etc. before I add it to my "performance."
I NEVER do logos or copyrighted designs. I don't do ELMO or BIG BIRD or team sports. I respect the copyright and do not infringe on their property, so I make sure I have plenty of diversions from the common Elmo requests.
Of course, it isn't NECESSARY to have 83 designs available, but this definitely helps ME stand out in a crowd ( I live in a facepainter-infested area outside Philadelphia) and as a result, I have quite an impressive following of corporate gigs that book me two years in advance and a few are "standing gigs" meaning they get me at their functions every year on a certain day. It works for me.
Compare this to a balloon twister who offers five animals vs. 50 animals. Who would you hire for your next big corporate event?
Which entertainer can charge a high fee for their services?
By the way, my record high average was painting 52 designs per hour.
And no, these are not little doodads (oooo--I like that name! maybe a new clown name for me?) I do complex work quickly and my brushes flit and flutter in the air like the baton of a drum majorette.
When I facepaint, it is a performance. I don't just sit there and paint. I ham it up. Do a little jig, dance and prance around and really play up the kid's design choice. A Tiger? GROWL!!!!!! ROAR!!!!
When the design is finished, I look at them and say, "Hey... where did Michael go? I can't find him, all I can see is a puppy dog!.... Oh! There's Michael-- he IS the puppy! ha ha ha" (Get it?)
I honestly never had anyone go away empty-faced because there were too many to choose from, so I can't tell ya for sure if it's a deterrent, but my hubby helps me by "consulting" with the clients and offering suggestions based on his insight--(high forehead? great for a huge Morphos Butterfly. A young kid that is hyper fidgety? "Artsy can make a BIGGER lizard if you get it on your arm instead of your cheek." See what I mean?
Prices? Start out low. Get the practice first. It's worth the exposure. Offer to facepaint at friend's parties JUST FOR FUN--don't charge. Believe me. You will get gigs anyway and that is the beauty of giving it away freely in the beginning. You will be rewarded.
Whew! That is enough writing for now. Maybe I should teach at an upcoming clown seminar. There's so much more I could share... Hmmm.....
HAVE A COLORFUL DAY!
Artsy