Yep, there is no reason to be a "good juggler" to use it in your clown routines if you're interested in it. You can turn that weakness into a strength! A lot of clowns are not master jugglers (mostly its the jugglers who master that!) but it's what they do with the props that make the routine funny.
Make a search online for juggling skits and I bet you will find a bunch of them. Some clowns that are excellent jugglers purposefully drop the balls just so they can respond with a certain punchline.
As far as character goes, I would definitely suggest picking up Mark Stolzenberg's book "Be a Clown" and "Creative Clowning" by Bruce Fife.
Creating a character is probably one of the most challenging and fun parts of clowning. Get ideas from famous clowns (but always create your own!), observe odd characters out in public or write a short clown biography. I started out as a theatre actor and I always created backgrounds for my characters. Mark Stolzenberg suggests writing a short biography of about 2-5 pages. He suggests including:
Quote:
* Birthdate and Astrological sign
* Place of Birth
* Family Life
* Father's and Mother's Occupations
* Important Childhood Experiences
* Hobbies
* Social Class
* Political and Religious Values
* Favorite Foods
* Physical Weaknesses and Strengths
* Vulnerable Body parts
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Depending on how in depth you want to get you could write a whole lot more. Be as creative as you can be. Exaggerate! Since these notes are just for you, write whatever you like!
I've found this book (Be a Clown formerly titled Clown for Circus & Stage) to be invaluable in every aspect of it's teaching.
As far as creating shows, you can develop one or two clown skills into a full blown show depending on what takes place in your story. My style of clowning is geared towards staged performances. I tend to like surreal things in my shows (clown plays I suppose!) so I've practiced a routine where I make various inanimate objects float and then I apply it to a story I want to tell. I use the same floating mime technique but with a narrative twist that changes the routine. But it's still the same floating technique.
Watching the silent masters (Chaplin, Keaton, Stan Laurel, and even The Little Rascals) will help you immensely. Birthday party clown shows are rare on YouTube. I have looked myself. But if you make a search for "vaudeville" or "Bill Irwin" or "Mime" you will get a lot of material to get ideas from. And read read read! I have gotten so much from the books I've read. Just be sure you put what you're learning into practice!
Best of luck to you clown! Bump a nose!
Jeremy