The first is Frosty Little. He's a former producing clown with Ringling and a longtime instructor of clowning. He's the last living "Master Clown", as honored by the late Irvin Feld who was the longtime owner of Ringling.
I'd say that a classic (or neat) whiteface like his is fine. It is a look, however, which has tended to go out of style lately. There's no reason it should, however.
The other picture (I only see two not three) is kind of a classic harlequin. I think it communicates more of an artsy highbrow type of clown than silly slapstick on initial view. But, you know, that may partially because I know the history and tradition of things. An audience might not object to that sort of character expressing itself differently. Indeed, if you look at pictures of Pricilla Mooseburger, she tends to be more china dollish, pretty whiteface. But she had always acted more auguste. So, ultimately, it's whatever works for you and how you want to communicate yourself. Ultimately, the most important thing is connecting with an audience. So you can only try things out and see what works for you.
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~ Laugh at yourself... everybody else does!
~ God loves women who date clowns.
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